Cinematographer Subrata Mitra’s association with SatyajitRay was notable. He shot many of Ray’s best-known films, such as the Aputrilogy (1955-1959), Jalsaghar (1958), Mahanagar (1963), Charulata (1964) and Nayak (1966).
Two legends of cinema captured in one frame, SatyajitRay discussing with UttamKumar during the making of Nayak (1966). The film narrates a tale of the life and internal struggles of a hugely popular star on the course of a train journey.